Province & Villages - Granada - Capilla
Capilla information
Cathedral of Granada
To commence building in the Gothic style and finish in the
Baroque generates a whole host of formal, as well as technical,
problems. The floor layout which reflected the habitual gardness
of Gothic cathedrals was carried out by Enrique Egas, a great
master of Flemish descent. Hidden within its design are old
secrets linked to the European quarrymens' Guilds, the lodges
close to the Cathar and Albigensian deviations and even the
Templars, features which became scattered around the world
when the above-mentioned heretics were pursued and the order
of the Templars dismantled.
The truth of the matter is that the floor plan caused enormous
problems for the building's subsequent development when other
architects, above all Siloé, attempted to transform
the original Gothic style into the Roman.
Another outstanding feature is the facade by Alonso Cano,
a truly marvellous example of Baroque scenography, culminating
in the bell tower which holds more than a secret within.
Capilla Real
Constructed as a sepulchre for the kings at rest in their
crypt, its style is an unique epilogue of the Gothic, this
has often be termed Elizabethan or Plateresque. Its collection
of Flemish panels are extraordinary, though do not miss magnificent
ironwork as well.
Located in the angle formed by the Cathedral and the Capilla
Real is the side chapel and guildhall of
the church, both have been restored recently.
Flemish panels in the Capilla Real
It's Granada's Baroque shared an importance with that of other
Andalusian cities, its Flemish panels, the property of the
Catholic Queen, were quite simply unequalled. Today these
can be admired in the Capilla Real. The presence of
this magnificient collection complicates still more our perspective
of that strange world which shaped the Granada's artistic
taste in the era of the Catholic Monarchs.
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